I welcome reforms in the industry: Shahiduzzaman Selim

Shahiduzzaman Selim has become synonymous with versatility in Bangladesh’s entertainment industry, his name resonates across four mediums—stage, television, film, and OTT platforms. With a career spanning over three decades, Selim remains one of the most sought-after actors, constantly evolving with the times, while staying true to his craft. 
Selim’s impact is undeniable, whether he’s taking on complex characters, exploring new platforms, or weighing in on industry reforms. In an exclusive interview with The Daily Star, the National Film Award-winning actor shares his thoughts on his recent projects, the rise of OTT, and what keeps him going after all these years.
At the moment, the actor is preparing for two upcoming films, set to begin shooting in October and November, respectively. He is also gearing up for a new web-film directed by Raihan Rafi. But what kind of roles does the actor, known for his wide range, seek out these days?
“I want to play any role that challenges me as an actor,” says Selim, leaning forward with a smile. “A versatile actor should be able to take on any character, and that’s what I aim for. After more than 30 years in the industry, I still get excited to explore diverse characters.”
In his new film “Leela Manthan”, the versatile artiste takes on the lead role of a morally ambiguous man. “It’s a complex character,” he explains. “A cunning man who would do anything for money. He’s in a bizarre profession, and if he could, he’d sell his own child. It’s not the kind of role you play every day.” He chuckles before adding, “It’s the challenge that makes it so intriguing.”
Selim is also stepping into the shoes of a lawyer in the Shakib Khan starrer “Borbad”, his second upcoming film. “It’s not my first time playing a lawyer,” he says, recalling his role in “Nabab LLB”, where he faces off against Shakib Khan in the courtroom. “What’s interesting is that Shakib is also in ‘Borbad’, but our dynamic is completely different this time. The film has a revenge-based storyline, but it’s not the typical revenge plot you’re used to seeing in Bangladeshi cinema. You’ll be surprised.”
Selim has teamed up with director Raihan Rafi again for the web-film “Black Money”, where he plays a Member of Parliament—a stark departure from his other roles. Having worked with Rafi on previous hits like “Poran”, “Surongo”, and “Toofan”, Selim speaks highly of their collaboration.
“Rafi is a director who always pushes me in new directions. With ‘Black Money’, I’m stepping into a political role, which is quite different from what I’ve done before. But that’s what excites me—finding new layers in each character.”
The actor gained widespread recognition for his role in the BTV drama series “Jonaki Jole”. After that, there was no looking back for him. He has acted in countless dramas and received praise for his performances in several films, including “Devdas,” directed by Chashi Nazrul Islam.
Selim admits that the shift to OTT platforms has been one of the most significant changes in his career. “OTT allows for deeper storytelling,” he says. “There’s more room to explore characters, and the audience is different—more demanding, I would say. They expect strong performances, strong stories. Look at ‘Shaaticup’, for example—it has such a great narrative. These platforms also have better budgets and better writing.”
While OTT platforms like Chorki and Hoichoi have gained immense popularity in Bangladesh, Selim believes there’s still untapped potential. “We need to think bigger,” he says, his tone becoming more serious. “The OTT market here has a lot of potential, but we need to focus on expanding it internationally. If we can tap into the global market, we’ll see even greater success.”
Then again Selim decidedly dismisses the idea of OTT overshadowing traditional television dramas. “Cinema, television, and OTT each have their own audiences. Each medium offers something different, and there’s room for all of them to coexist. Television dramas aren’t going anywhere—they have their own dedicated viewers.”
Apart from his work on screen, the actor has been vocal about the ongoing demands for reforms within Actors’ Equity Bangladesh. Having once served as president of the organisation, Selim attended a recent special general meeting to discuss these reforms.
“I support the reforms,” he says candidly. “Most of us do. The actors calling for change have made some valid points, and they need to be heard and attended to. Tariq Anam Khan is now leading the interim reform committee, and I’m hopeful we’ll see positive changes after the upcoming elections. It’s about time.”
Selim is also optimistic about the future of Bangladesh’s cultural institutions, especially with the recent appointment of Syed Jamil Ahmed as the new Director-General of Bangladesh Shilpakala Academy. “Jamil bhai is a wise and hardworking man,” Selim says. “He’s someone who is deeply dedicated to the arts, and I have high expectations for him in this role. We’ll have to see how he performs as an administrator, but I’m optimistic.”
As we near wrapping up the interview, it’s clear that Shahiduzzaman Selim is far from slowing down. Fresh off the success of films like “Priyotoma” and “Surongo”, he is ready to take on new challenges in “Borbad” and “Leela Manthan”, conveying, “I’ve been doing this for over 30 years, but I feel like I’m just getting started.”
With a career defined by constant reinvention and a commitment to his craft, Shahiduzzaman Selim continues to set the bar high for actors across all platforms. Whether it’s on stage, on television, or in the ever-evolving world of OTT, Selim’s dedication remains unwavering. As his journey continues, one thing is clear: there’s much more to come from this remarkable actor.